Heikki?
And a glory of vinyl thread.
http://www.youtube.com/watch?v=7ZHjGti2zH4
Here's that interview I mentioned. What a guy.
Well, he was certainly possessed by genius for a time.
Best line is he says he wasn't a mistake, he studied and learned to get as good as he was.
He innovated new styles in jazz on several occasions, he was no mistake. Although several of his albums in the 80s most definitely were IMO.
I like the idea of him continually learning, ok it can take you off down some odd paths, but at least he did, he was like a sponge soaking up everything, then he'd put his own stamp on it
And then you have someone like Chet Baker who decided to stay and operate very lyrically, but completely in the same mode of the cool for the whole of his career.
Also Art Blakey, who stayed true to hard-bop until the end of his career.
Well, there is an argument for and against, I think Chet was limited by is natural talent, and poor theory, Miles also had talent but a need to learn and change. I can't say what's right or wrong. I can however say snakeskin trousers are wrong.
I think Cal Tjader summed it up rather well when he said he wasn't an innovator, rather a participator. Some must constantly innovate or be bored and others are just around to enjoy the party.
Last edited by Joey (2015-11-19 07:03:39)
Email me a draft if you like..
oobopshbam81@gmail.com
Wow, I remember that thread! You've been doing some digging Joey - great pic, by the way. Wasn't Eric Dolphy also in his sextet? Does that mean you've played with someone who played with Eric Dolphy? Can I touch you?
If you're interested in contemporary modal exploration, you could do worse than check out the Hook Vent's latest waxing "Uptight Sacksuit" in which an essentially V-IV-V-I chorus section in the key of C, resolves in an E9 chord. Nice!
Great rise on Russell up there, though.
He was a drummer WM. A drummer who knew about music theory. Imagine that.
^ just showed that to the drummer sitting next to me and it made Fanta come out of his nose.
He, he! We aim to please!
Well played H
Having a read now!
I can see the link between the stability of the perfect fifths allowing to hold the chromatics around it. A lot like the chromatic movement of Bach.. as explained in the Bernstein lectures at Harvard. Also very similar to the Sa and Pa in classical indian and the shruti..will try read it all later. I think I paint broader strokes than you so be interesting to get into the specifics.
Joey, check it out, "A New Lydian Theory for Frank Zappa's Modal Music", with George Russell all up in the piece
http://mts.oxfordjournals.org/content/36/1/146.abstract
Last edited by stanshall (2015-11-19 23:10:16)