I'm a big Paul fan... And his energy and style really does come through in his clothes... His father's Son.
http://www.retrosellers.com/features499.htm
Shrewd comments on Ebay etc.
I had the pleasure to meet Paul went I dropped by the shop to have a chat with Guy over the summer. Very nice gentleman and he definately knows his stuff.
Branching out from Ivy League sounds like a smart move. I sometimes used to wish, during my buying trips in Nottingham, that several shops could be rolled into one. That would have given me both Americana and the best of tweed, Acquascutum, Frank Wright, some Italian tailoring, Tootal scarves, Dannimac etc.
The hip hop connection is an interesting thing to someone like me who is the same age as paul. The jazz influence ran quite hard through any decent hip hop of the 90's and no doubt as your tastes grew broader there seemed to be no better period for the sounds and styles of mid 50s to mid 60s
Last edited by Oo Bop Sh'bam (2011-12-08 03:17:00)
I've kipped on his sofa & have been very happy with every drink he's ever bought me.
Paul is absolutely one to watch - Turned me onto Keydge & Tootal by his good example when I'd always been a bit 'So What?' before.
Keydge is more so Chinese (it seems) than so what (which version BTW?) Tootal is for keeping in touch with your Inner Mod.
Last edited by Chiltern Street (2011-12-08 05:20:11)
I only care about style here, I get my religion elsewhere !
Even that early gangster stuff is good. NWA and Public Enemy, angry as they were wrote some good social commentary. Also Dre mentoring Snoop in the early days turned up some nice stuff.
http://www.youtube.com/watch?v=SutWuza9aDM
Good hip hop died with the first Chronic album. The second chronic album I liked too but it was by then the last sinking island in a sea of shit.
Anyway enough of that from me. Paul sounds like a cool guy.
Last edited by Liam Mac (2011-12-08 12:51:15)
Good hip hop didn't die in 1992. But this isn't the time or the place. Trip-hop also dug deep into the vaults. This was way gateway drug.
Shitting phone!
What I meant was that big wave of mainstream stuff got to The Chronic broke and rolled back. Of course many other good groups carried on doing what they did well and others came through who had an interesting vision. But where hip hop was going changed after The Chronic and the vast majority of acts got bogged down in the mire that Hip Hop's become.
THe same thing's been seen in UK grime over the past few years. Dizzee Rascal made it big and opened that door now we have Diet Grime with no edge and the good stuff is down deep and hard to find.
Just for the record I like Hip Hop and Grime and Modern Jazz and Bebop equally. It's all part of the same long strand for me. Maybe I don't appreciate it like a lot of you more sophisticated chaps but I'm not embarassed to like any of it. You'd all love a bit of G-Funk if you had it pumped into your lugs.
Also some of Snoop Doggs freestyles are the sort of stream of conscious madness that Kerouac would be proud of.
I used to roll extremely deep in the rap game, word up. Triple beam kna'mean? Talk Ivy's resident authority on that boom bap. Heikki's post was fairly on point. My interest in rap started waning around 1996. As hip hop became more mainstream, the whole scene started changing.
Marlowe flipped the script.
Last edited by marlowe (2011-12-08 16:22:43)
The Hip Hop element really fascinates me - There's an energy with Paul which John also has from Jazz (I think).
And for their generations they both tuned into what was current & cutting edge. Neither are 'Retro'.
Jim get madlib's medicine show hi-jazz album. There is a lot of good work that crosses from instrumental hiphop into jazz. Cinematic orchestra being the most obvious but even that is a bit old hat now. I'll in box you some stuff jim.
So -
Paul Style:
Immaculate grooming.
Socks ! He always has a nice shop window going on down there between his Jeans & his Weejuns.
Keydge & Tootal.
Perfect manners.
Suited he is really sharp & as one who's had a nosey with him through his wardrobe he has some highly enviable items in there - Some lovely Walkovers which we'll never see the like of again...
So, all in all, a Top Cat -
http://www.youtube.com/watch?v=ykRZbOb1c5c
I have to say i don't like the hiphop ivy college boy crossover look. Ala mos def etc.
Yo, check the joint, boom, yo I got a crazy idea how to do Clarks now. Check it out, boom, this is how you freak em, boom. You go get, you go get the cream joints, right? Boom. Now, now, all you, all you dye, is this shit right here, boom, and this, you know what I'm saying? Any colour you want, but it'd be like, blue and cream ...
Last edited by marlowe (2011-12-08 16:37:21)
Isn't that from the utterly disturbing vybz cartel? My friend mcm who as part of caveman was the first british rapper to get signed to a major label and have world release i think this was back in 91, anyway he has the largest collection of jazz vinyl i've ever seen, to many what you'd call true hip hopper it was a love of music and particulary jazz that spurred them to create hip hop and rap. It was an education to me in order to delve deeper
Last edited by Oo Bop Sh'bam (2011-12-08 16:49:26)
One strictly for Marlowe: http://www.oipolloi.com/the-wallabee-kingpin