How do you prevent the style from becoming a uniform, as all too often happened with 'Mod'? Yes, there must be rules, guidance - but rules are there to be broken (true or false?). Take that picture of Woody wearing pleated chinos. Fifteen years ago I was wearing pleated Paul Stuart cords - but the emphasis was on PAUL STUART and green, slightly baggy CORDS, not PLEATS. 'Textbook Ivy' goes against the soul and spirit of Ivy League dressing - yes or no?
I genuinely think country is important here too.
I was at a cricket match at Trent Bridge a few years ago. A few rows in front of me was guy in Paraboots, Levi's and a seersucker Keydge.
I immediately clocked him because, as some might know, when the average British male gathers to match sport it's usually an excuse to wear clothes most of us would be happy to do the garden in.
He walked past me wearing a Brooks polo and madras shorts. I simply said Keydge to him and away we went. Although totally different in appearance it all fell into the same framework.
In the USA Ivy has broader context but a different framework. For example, I couldn't imagine Vetra or Paraboot being sold at Press but in the UK it sits comfortably with button downs and natural shoulder jackets. Barbour jackets are beloved by many traditional Americans but in the UK can be a bit rugger-bugger.
To me Mod follows a pretty strict code such as lapel width whereas with Ivy fit is a bit more flexible.
In truth, I sometimes find it easier to point-out things outside the canon than trying to put down a hard set of rules.
I think you’re just a little older, wiser, and hopefully have other things going on in your life that are more important to you than clothes. And rules around those clothes. Happy to row your own boat and confident enough to step outside the rule book. But definitely be aware that there ARE rules if you want to present yourself as Ivy League in one form or another.
After all, one thing we can be sure of is that all of us here are more interested in clothes than the average guy these days, and doesn’t just having that interest cause us to stray from Ivy rules at some point?
I’m aware I’ve used the ‘M’ word a few times in previous posts. Sorry - but it is relevant to the question. Maybe not right now, but historically mod is a youth cult, and boys/men that age do tend to WANT to fit in, make and follow rules and dress very similarly to each other.
I just don’t think it’s an attitude most of us have. From what I’ve seen on here anyway.
Yes, Spendthrift you're spot on.
It's about attitude more than just a set of rules.
Some people need stuff laid out for them.
In my experience talking to guys who are into this Ivy thing of ours, clothes are usually part of something much bigger.
Film, books, art, design. Things from the past and present that just gel together.
I've been inspired by lots of posters on here but it's not some rigid framework.
There is a phrase that gets moved around on here: 'Under The Radar'. I believe in that, completely. Understated. Always understated. But still carrying a message. I seem to remember reading about mods in the 60s 'topping up'. I call it 'layering'. Film, books, art, design; certainly. Food, drink, architecture, music of course: that's key. Sometimes you have to shed a skin in order to develop another. Some years ago, on here, I referred to 'personal evolution'. I stand by that.
Maybe we could sub-title this: 'Going Out Slightly On A Limb...' Otherwise it's the 'Ivy Playbook'. Patchwork Madras trousers, however, or some of those other garish, often highly priced offerings from Ralph Lauren will almost certainly be avoided by anyone and everyone in the UK. I'd be surprised if anything like that was seen at 2 Russell Street even when JS himself might be going out on a limb. But there are chaps posting on here who will correct me if I'm wrong. I think JFM once referred to the Ivy Shop people, like Sir John Lally, as wearing just a single 'stand-out' item; never pushing it.
The GTH approach does not, I think, find much favour.
It was Ralph Lauren that led me back to the Ivy look in the nineties having flirted we unstructured Armani for a few years. Having purchased my first house a friend of mine was raving about the interior design of the Bond Street store.They’d moved from the original chemist store by Conduit Street.
I went down there one Saturday.In truth not expecting much and was subsequently blown away.Not just by the store design but by the clothes.I got chatting to one of the senior guys on the second floor and he showed me a new collection he said was inspired by JFK.It was called The Congressman.A narrow soft shouldered,3 rolled to 2, single vented jacket with flat front trousers, narrow ties that had elegant Art Deco symbols and a narrow slightly spread collared shirt.I needed work clothes so this seamed perfect.
I started shopping there regularly.All the things I liked seemed to sync together and reminded me of what I had fallen in love with in the eighties - cords, madras check shirts, loafers,seersucker, great cashmere and Shetland knitwear, tweed.The colours were always slightly brighter, more intense mixes of pattern and texture.
It was explained to me that Ralph operates on two levels. Their flagship stores focus on the full Ralph Lauren look that features a lot more tailoring, shoes and accessories and often less logos whilst their concessions are focused on quick sell items that you average Saturday shopper wants.
The size of Ralph Lauren means it covers many bases and in truth a lot doesn’t appeal to me but in their own stores you will always find some elements of the look we all love.Over the years,for me, this has included pull-over shirts,an undated patch pocket cashmere wool herringbone jacket, madras, seersucker shorts, brushed shetlands, Press flap oxfords to name a few.Nothing has a logo on it.
The quality has been excellent too.
Mr.Singer, I believe Ralph Lauren to be a design genius. Truly. And I think the above ^ post will find some favour with TRS, too. I keep returning. 'Every time I think I'm out, they pull me back in'. I prefer it US-made and lacking the logo, however.
Yes-it’s that logo and stuff being out sourced that is the problem.
There is next to nothing US made there apart from
Some shoes are Rancourt or Allen Edmonds and the mto tailoring was recently Hickey Freeman
Yeah I’m a pretty big fan of RL. Mainly as it tends to fit me really well. Shirts are long enough on me to stay tucked in and polos don’t shrink up. The logo I could do without but not a deal breaker as long as it’s not one of those horrendously oversized ones.
Sacrilege to some, but I also can’t be fussed about where it’s been made. I don’t buy clothes on the internet so I kind of have to take what’s on offer when/where I see it.
^ You'll be okay with Ralphie, then. I must have seen several hundred shirts around three or four weeks ago, in Chesterfield, Nottingham and Lincoln: their so-called 'vintage' shops, Prices are around the £18 mark. They'll probably be happy to sell for £15. I used to buy them for work around fifteen years ago.
I just wear what I like (or the nearest equivalent I can find). If that's ivy by numbers aka a uniform I couldn't care less. What's the point in identifying clothes I think are good and then declaring that by definition that makes them a uniform?
In fact I have a serious urge to get into some serious cosplay/reenactment on returning to the UK i.e. flannels, 50s or 60s tweed sack, foulard tie of a similar vintage, vintage overcoat, gunboats etc. Something I haven't been able to do for years due to travelling. Textbook ivy? Yes, although the number of people in the UK who would recognise it as such is miniscule really. Anachronistic? That as well I'm sure, but I'm beyond giving a shit. Plus when I used to do it I did get the odd female compliment and/or nod from a mod/ex-mod type.
As for the mod thing: in the early days the top mods used to wear all sorts of stuff that would not be included in a 'textbook mod' summary today. Just look at Feld and co. in Town in 1962. Mix that with late 50s/early 60s French and Italian movies, West Side Story, summer ivy type gear and the clothes worn by 60s soul bands and the sky's the limit. The whole thing about trousers must be hipsters, shirts must be BDs with a closed pleat, suits must be mohair etc etc is a massive simplification.
Last edited by Yuca (2021-11-14 13:19:09)
Didn't people in the boom years make fun of ivy wearers for having a uniform? (The man in the grey flannel suit etc.) With the vast numbers of US males wearing sack suits, repp ties etc etc, I'm sure many - very probably the majority - didn't actually put much thought into what they wore.
Breaking some arbitrary rules doesn't necessarily resolve that problem though. Some people put some effort into their outfits and look, objectively speaking, at least reasonable. Whether or not that involves following or breaking rules doesn't really come into it imo.
Last edited by Yuca (2021-11-14 13:51:19)
My apologies to anyone who thought of themselves as a 'Mod' who had the courage to step away from the stereotypical look I remember from 1978-79: some kind of pork pie type hat, Fred Perry, jeans, desert boots or Hush Puppies, a parka for the 'top boys'. How I detested them, their arrogance, their sense of superiority, their crappy music. It was as bad as the swing revival of 1975 - no, worse. The jazz-funk boys (who could be a little precious, a touch stand-offish) were preferable to any Merton Parkas type. Don't remember much aggression from them. A lot of the parka-wearers were forever spoiling for a fight. More creative types got themselves into James White And The Blacks, Was Not Was etc. I began staying home and reading Albert Camus.
Many of those crappy Quad mods moved away from mod in the early 1980s to become scooterists. From bad to worse, in other words.
Last edited by Yuca (2021-11-15 13:34:37)
That film was essentially a rallying cry for anyone into shit clothes and acting like a twat with other people of similarly low intelligence. No wonder so many people in the 80s hated mods.
The skinhead 'revival' went almost hand in hand with punk rock turning much nastier and 'Mod'. I recall a minority becoming 'Far Right'; most were fairly apolitical (i.e. they didn't understand or care much about what was going on). A few even became more or less hippies. Dylan, Captain Beefheart and Van Morrison (e.g.) were listened to. The bluebeat/ska thing was also a crashing bore. Thank God jazz was on the distant horizon - although it was certain bluesmen I began listening to first (under gentle parental influence).
I wouldn't see it as 'cosplay', more an intelligent and informed way of wearing top quality 'vintage' clothing. Not altogether easy but very satisfying when the bits and pieces come together. But my look gets plainer and plainer, simpler and simpler. Plenty of cotton and cashmere.
I can only talk about Birmingham but the best thing that came out of the mod revival was that it put paid to the heavy metal scene that dominated the area.
The rock guys were so stuck in the late sixties. It was time like had stood still.
Mods were bizarre too.I met some who were into the British Movement but still claimed to love soul.
The jazz funk guys were optimistic and forward looking. They took on all manner of influences, consisted of black and white kids and were inclusive.
I knew a small handful of people like that. It was mostly crap. Boneheads. To be avoided whenever and wherever possible. Where are they now? God only knows. I was relieved to get away from it all.
'Mods were bizarre too.I met some who were into the British Movement but still claimed to love soul.
The jazz funk guys were optimistic and forward looking. They took on all manner of influences, consisted of black and white kids and were inclusive.'
To be fair from the early to mid 80s a mod scene emerged that was closely based on the original modernist and mod scenes of the 50s and 60s, there was a little bit of ethnic diversity and they did uncover and rediscover some killer dancefloor grooves. There is definitely something fascinating about the early mod years (late 50s to 64) and I can understand why people would want to dedicate their lives to it whilst largely ignoring the music and fashions of the day. And as the 1980s came to a close, mod went from being completely unfashionable to being somewhat cool.
At the same time I would agree that the jazz funk scene was definitely more diverse and inclusive. And very probably had more chicks in attendance. But by the early to mid 1980s I think that scene died off, as its members got older and relevant new music releases were in increasingly short supply.
Last edited by Yuca (2021-11-15 13:36:24)
The scene didn’t so much die off.It became very fractured. The small rooms at all dayers became scenes in their own rights.The modern soul and jazz guys had big enough interest to branch out.
In fact in 91 you had some really big soul tunes coming through from Sounds of Blackness, DrizaBone, Brand new heavies and JT Taylor from Kool to same but name but a few.
Acid Jazz and Talking Loud were also issuing some great traditional jazz funk sounds from the likes of Incognito and Tammy Payne.
Truth be told if you were into black music there were almost too many options and night outs.
On the subject of mods I couldn’t agree more. It’s a lovely vision of young guys pulling together all these disparate strands from the USA and Europe into a cohesive style. I like the fact that rejected how it was supposed to work - leave school, become cannon fodder in a factory, meet someone, save up and get a mortgage, have kids all before you’re 23.
Be younger versions of your parents.
The vision of being into black music, wearing a button down collar, drinking Espresso, having a lightweight suit and dancing to Georgie Fame are really powerful.
I was divorced by '91, bringing up a small daughter alone, and listening to people like Lucia Popp and Renata Tabaldi as well as some jazz and blues. But I was also buying, from a back alley shack, USA-imported Levis and Pendleton shirts, the odd varsity jacket, even the Reyn Spooner kind of thing: anything to look - and feel - different. I was also wearing Timberland boat shoes and even those awful boots. Neither 'Mod' or 'Ivy League' entered into it. I'd guess the kind of films I was seeing at the time played their part. Anything, then, with Pacino or De Niro. Woody, of course. It lacked coherence, I'll freely admit that. I knew no-one else other than Robert, who sold me the clothing, who was remotely interested.