Stan Getz - all the early Roost sessions and Norman Granz West Coast shit. Inbetween bouts of Cal Tjader, Machito and Arran malt non-chill filtered sauternes cask finish. Been doing this all week, no inclination for any other sounds at the moment.
^That's bad, almost as bad as this shit I'm digging:
http://www.youtube.com/watch?v=-5VDqVVuGtI
Last edited by Maximilien de Robespierre (2010-10-29 18:46:08)
^No. I will seek it out now, thanks.
Getz is interesting, he was, for a time, an equal bad boy to Baker and Pepper, but he has none of the bad boy kudos. He does have Bossa Nova in abundance....
Last edited by Maximilien de Robespierre (2010-10-29 19:05:27)
Last edited by Maximilien de Robespierre (2010-10-29 19:00:57)
Last edited by fxh (2010-10-30 20:35:48)
I liked that late '70's and very early '80's Bruce. I am looking forward to the expanded version of 'Darkness on the Edge of Town' which is due out early November, that contains 'The Promise' outakes. Some tremendous tracks, I had a bootleg with them all on I bought in '87.
By the time of 'Born in the USA', Bruce was pumping iron and looked like he was on steroids to me.
I remember my uncle telling me that The Pogues backed him at Wembley stadium and when Shane and crew finished their set, he left too.
Last edited by Maximilien de Robespierre (2010-10-31 02:57:08)
Listening to Milestones, I'm working backwards from Kind of Blue, I like the tail end of Miles Bee-bop stuff, got some great tracks on there, Yardbird Suite, Out of Nowhere, in fact too many too list.
That was a great period for Miles, all those Prestige sides and on Columbia, 'Straight No Chaser', ''Round About Midnight' and he was dressing himself in superb Ivy button downs, suits and jackets. I prefer the Gil Evans collaborations and Hard Bop that came later.
For a change some Jazz from 1990's, Don Pullen's 'Ode to Life: A Tribute to George Adam's'. Great Latin party riffs, tinged with melancholy piano. Perfect for a rainy Sunday and coffee.
Last edited by 4F Hepcat (2010-10-31 04:00:23)
I enjoy cool jazz, and modal jazz, but feel like it just slips into the back ground whilst the hard-bop and bee-bop jumps off the page, I think its due to the breakdown of vertical harmonic structure, Miles et al, near enough invented all modal music that followed, not just in jazz but influencd some many other musicians and genres. He was one talented guy, he developed so much space in his solos too, compared to other players that couldn't shake bee-bop
Irish music after last weekend's Return to Camden festival. Got a couple of CDs at the concerts.
On Sunday all the trains and Tubes were running - which is unusual; so instead of having to drive up like Friday and Saturday, I used public transport. Had several pints and a roast dinner at the Irish Centre and watched the concert. Then went to Finsbury Park for a pint and steak and chips.
Then into the Auld Triangle which is the pub Arsenal fans use on match days. It is close to the ground. There was a session on there. On my way in I spotted the guitarist from Saturday outside having a cigarette. Inside were Matt Molloy and John Carty. I cannot think of a better flute player or fiddler in Irish music. Molloy has been in all the groups like the Chieftains,Bothy Band etc. He was an all-Ireland champion flute player. Carty is lesser known but a very sweet fiddle player indeed.
An eightysomething Arsenal granny wearing the team scarf and a red Gunners cardigan with the team crest of was dancing around. Then a Wolfie Smith character in a beret walked in started talking to her and dancing around himself. Molloy and Carty eventually joined in with the other session players. Although there were up half a dozen fiddlers, half a dozen on flute, a couple of box players and keyboard it was not that loud without amplification and I was sat virtually on top of it. The Guinness was good and as reasonably priced as Wetherspoons. A good time was had by all. A clip has gone up on You Tube.
http://www.youtube.com/watch?v=TJ51lETK6gc
l always found Bruce's music always easy to get bored with. Effective simple music, but music which can only be listened to once in a bloo moon.
Hoo roo: Shooman.
I think they both were taking a lot from eastern music, which is modal, and found it gave the soloists a lot more freedom, Bill Evans worked extensively with Miles to build up those new forms and patterns. Although people say about Burbeck's experimentation with time signatures he owes just as much to modal Jazz as Miles. IMO Blue Rondo a la Turk for instance. This strange modal main-part, that keeps breaking out to a hard-boppish bluesy walking bass section, genius.
Last edited by need4tweed (2010-10-31 06:41:58)