This is a direct steal from a midnight oil posting by TRS and building on other threads, including 'Yale In 'Manhattan''. It was my look of around fifteen years ago, while still teaching: the Bill Evans specs, Brooks or Press tweed jacket, button-down, chinos, heavy shoes: most often wingtips. I used to carry my books/lecture notes in a battered old leather case; carry 'The Economist' for reading on the train.
It's a look that only draws little attention but also carries no overtones of aggression/edginess/Mod-inspired stand-offishness. It is, to the contrary, polite, friendly, tolerant, inquiring, cosmopolitan when and where it counts. It's very East Coast American fantasy. It's very 2 Russell Street.
I spun it a little in school by wearing Brooks or Norman Hilton suits, repp ties, sometimes loafers in nice weather.
It speaks of jazz, decent food, delicious coffee, air travel, an interest in what's in the world around you.
I'm now doing the 'sitting on my backside reading James Ellroy and looking forward to a lunchtime slice of pizza look'. Second best shirt (Gant), distressed Sebago - college professor gone to seed, dreaming of Natalie Wood and Rhode Island on a warm day circa 1960.
This has been on my mind again after clocking the edgy, aggressive young gentlemen drinking their pints of lager a hundred yards away from my front door. Goes hand in hand with 'The Visual Illiteracy Of The English Male': the would-be 'casuals', carrying on that tradition of UK tribalism. Little interest in anything beyond their immediate comprehension.
Definitely the look I’m leaning much more towards these days (or attempting to. I think I’m some way off yet).
Funnily enough, I haven’t often, but whenever I have got chatting about my mod past, which on the whole I’m very happy with, I have often bemoaned the fact that the look could be very “What you lookin’ at??? Stand-offish, as you say. Which I was probably very comfortable with at the time.
I find it amazing that a few tweaks to ‘The Look’ can produce completely different reactions from other people and set my own mood for the day.
As I approach my 50th, I find I’m wanting more to at least look like I’ve read a few books, travelled, and got to a stage where I know what ‘my’ drink is.
It also strikes me it’s a look that’s very comfortable (maybe happiest?) in its own company. Rather than gathering in groups for security and lager.
If we’re talking tweed and corduroy - there’s something very introverted about that?
There is: introverted and cerebral: interested; curious. Not inward-looking. TRS can explain all this far better than I.
A look I'm returning to/redeveloping, having taken decisively against the G9, G4 or anything remotely resembling them (McGregor Drizzler, for example). I'm also rather weary of polo shirts and have kept only two back, a navy Cross Creek and a navy (L/S) Peter Geeson. I've been examining my remaining Brooks shirts and thinking of buying ties again. The Imperials and cordo wingtips will come back into service, as will the grey herringbone soft shoulder two-button jackets and pressed chinos or cords.
Not so much a 'college look' as a post-college, Mary McCarthy, Yale kind of look. It will bore many. But I believe our Japanese friends would understand.
I'm all for that immediately above. .
I'm delighted that this kind of look meets with Horace's approval; would like to hear more from him in due course.
It might have proved a 'Stopped Clock' look when I was still actively involved in the Great Education Racket (AKA 'Forcing Some Knowledge Into Bone-Idle And Ignorant English Children'), and used to travel by train to examiners' meetings etc. One rather fades into the background in some ways whilst catching the eye - sometimes mildly inquisitive - of others. I believe the repp tie (or something similar) seals the deal.