Looks like this is finally out soon unless I missed it. https://jazztimes.com/blog/ronnie-scotts-documentary-to-premiere-in-february/
It will likely make its way to DVD, a streaming service or such as Sky Arts / BBC Four (who had a documentary on a year or so ago, wonder if that was this or something else)
It may prove interesting to some of us.
I had the book of photos from Ronnie Scott's that Graham Marsh and Simon Whittle did fairly recently, but found it a bit disappointing. It lacked much context, atmosphere or any sense of the place or people. The intimacy of Ronnie Scott's is important to why people appreciate it but wasn't there in full page pictures of one performance. It eventually sold at the big A to someone's wife, gifting it to her husband for his memories of being there - which was a nice next destination for it.
While on the subject, you may enjoy the film Last Night In Soho if you haven't seen it. It is made with great care and the casting is absolutely deliberate (Margaret Nolan in the film just before she passed away may be known for Carry On but had a whole other Soho-esque parallel glamour model career under another name). Anyone who enjoys old horrors, Giallo or thrillers will see much to appreciate, as will those who have ready around the underbelly of that era. I ended up showing my son loads of older films that this nods to. But it is not a collection of inspirations, there is a real story here.
No Ivy (or even Mod) really in the film, but there is a genuine reason for it - this is the Soho of the older men, not youth. This is not The Scene, these are those using the era for their own ends. Even younger Matt Smith still has the remnants of his former quiff....
Last edited by An Unseen Scene (2022-02-11 06:19:30)
Follow up to myself.... looks like BBC Four has shown Ronnie's already last April (so hang on for it again).
https://www.bbc.co.uk/programmes/m000pjcm
Last edited by An Unseen Scene (2022-02-11 08:22:16)
Great thread, AUS. I must look into this. My late father was pretty keen on Ronnie and managed to get to the club at least once. I read a couple of books years ago. I'm pretty certain one was by his daughter, in which she discussed his periods of depression, a subject I can relate to.
It's possible to delve into the world of Ronnie/Soho by reading things like John Le Mes's autobiography - I think he romanced his third wife, who died quite recently, there. Even Hewitt had something sensible and interesting to say, at least in passing.
TRS remains something of a Soho addict. I wonder if Stacey Boy still is.
Yes indeed - I read a couple of them too. I hadn't realized about his depression but appreciate its reality. The pressures of keeping the club going were hard too on top.
We've read a lot of the same things I guess - Hanock, John Le Mes etc. I find reading around Soho rather than 'at it' feels better. I do adore it but I've weaned myself off a lot as it has changed. Still incredible to see Hammer House (as an example), the headquarters of Hammer Studios and the like. Walk by the alley where The Scene was and so on. Ah someone else's memories.
When you starting to read the darker side, David Litvinoff's book then what they couldn't even put in the book.....the glamour fell away. That's what that film does.....
Denis 'Den-Den' Shaw was something of a Soho 'character', I think, AUS - turned up in a couple of Hammer films.
Muriel Belcher is something of a heroine of mine (from a safe distance, you understand), and I used to enjoy reading Jeffrey Bernard in 'The Spectator'.
'Our Friends In The North' is worth watching for the Soho scenes: just as it was changing from bakeries and delicatessens to peep shows and porn shops.
Only been to Ronnies the once, two or three years ago. I got the feeling it was becoming another stop on the tourist trail, maybe I’m being a bit harsh and need to give it another try?
We’ve been to Soho Pizza Express Jazz Club a few times. It’s smaller than Ronnies and is in a basement which has to be worth a few extra coolness points. Pizza is optional and you usually get to meet the artists in the interval.
As regards the dark side of the old Soho: I know a tailor who has worked there for forty + years and he told me how one of the Italian gangsters ordered a suit from him. When the guy came to collect it the tailor presented his bill and received payment in the form of a good beating.
I think it always had a murky reputation - the romantic angle (such as it was) came after the war, often written up by tabloid journalists looking to make a few quid on the side. The name Stanley Jackson seems to ring a bell - AUS?
I think living conditions were often harsh.
AUS mentioned Margaret Nolan. Wasn't she in 'Peeping Tom'? - that last, strange film by Michael Powell, that did nothing for his reputation.
Loads of good stuff from everyone here - I must finally go watch Our Friends In The North. Just seems to of been a bit early for me to connect to it.
AUS - it's a bit of a glorified soap - with some dodgy accents along the way. But Gina McKee is good - and very alluring. Needs to be watched more than once, though, if you can find the time and patience.
My experiences of Soho started in 69/70 with visits to Brewer Street. We would walk from Tottenham Court Rd station through Soho on our way to the Squire shop. I've told the story before, but one time a gang of 10/12 of us were celebrating a mates 17th birthday and we were visiting the Squire shop, but decided to visit a strip joint, in the middle of the day. They tried to rip us off with drinks and one mate tried to get on stage with one of the strippers. The doormen moved in and then it all kicked off. We were in a basement but managed to get upstairs and out into the street. There was then a face off with the doormen and their numbers increased as they got other Maltese blokes on their side. Their leader asked us to back down and I dont remember exactly what happened next but I think we were just laughing and clowning around. I avoided that street for years in case I was recognised. The Maltese were ruling that area at that time.
^ They feature in 'OFITN', Robbie. Wasn't it the Mifsud family early on?
I didn't know the gangsters personally but it was generally known that the Maltese controlled Soho strip joints, prostitution etc. at that time. It was also thought that they had the Police in their back pocket.
Last edited by RobbieB (2022-02-11 09:37:37)
Maltese owned Soho, when they Krays tried to storm it and take over, they were embarassed and ran out of it. Had to even ask permission to visit after that. They went after Ismerelda's Barn as West End base and took it over in a Litvinoff debt. Then starting getting toffs into betting debt (and far worse) then 'befriending' such as Lord Boothby (go look him up!). As they got closer to the establishment, that's when the heat was set on them. Were not intervened with when they kept in East End.
I think the vibe at Ronnie's is much to do with whose playing.
In my experience if you get somebody who is straight ahead the audience is much more appreciative of the artist. Less chatter but rounds of appluase for solos.
Unfortunately in order to pay the bills there are artists who aren't jazz and bring in a crowd who just want to claim to have been to the club. Fair enough if it keeps the club viable.
I once sat next to a couple who claimed to be members but stated they didn't like it when artists improvised. Go figure.
Ronnie Scott was an amazing musician. Apart from depression he suffered from a lack of confidence. He was in awe of his American contemporaries without recognising his own talents. Whilst he didn't record much it's all high quality.
On Youtube there are a few early eighties performances worth checking out including an appearance on 3-2-1 (Dusty Bin)