Forget Monk's hats and bamboo frames just for a moment. Forget Gillespie's hepcat look. I was much taken with the notion of Charles Mingus returning from a visit to London dressed like a city gent, complete with horn-rimmed spectacles and bowler hat. It reminds us that not all modern jazz musicians wore 'Ivy League' - at least not all the time. Just look at John Lewis (no, the other one, not AUSs favourite shop), dressed in his conservative business suit - a look to be seen in 'Jazz On A Summer's Day'. I'd love to know what type of shoes those cats were sporting. I'd guess some sensible black or brown lace-up.
There must be a book on this in the offing - the cat who didn't wear high-waisted slacks or loafers.
The majority - indeed probably the vast majority - of jazz musicians in the ivy boom years period did not wear ivy. A minority wore some ivy. As for pure ivy wearers, there are hardly any. Cal Tjader. Maybe Horace Silver. I can't think of any others.
Last edited by Yuca (2022-03-28 03:30:38)
And once it got to the late 1960s I doubt there were any jazz musicians wearing any ivy.
Studying the photographs, you see some pretty odd and mixed looks - on Chet Baker for example.
I was amused that Mingus went the whole hog, even down to the leather briefcase.
I read recently that Ivy dressing was pretty much a West Coast look during the 1950s. Maybe, maybe not. An examination of 'California Cool' again reveals a mixture of looks.
'I read recently that Ivy dressing was pretty much a West Coast look during the 1950s.'
Who on earth claimed that? I always thought ivy was massive in NY and other Eastern cities by the 2nd half of the 50s.
Roy Carr in 'A Century Of Jazz'. I'm not sure quite when in the 50s he was referring to.
I did say 'hmm' under my breath when I read it.