The film itself, made at Paramount in 1932, around the same time as the Marx Brothers were working there, is very much for cineastes and sophisticates.  But I should like to draw your attention to the way Chevalier looks upon first dressing, near the beginning of the film: the polo neck, the cap worn at a jaunty angle.  The jacket that follows is very fitted but, like Astaire, Chevalier throws a good shape.  I wonder if stylists like Bruce Boyer ever commented.