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#76 2012-01-12 11:19:05

Hard Bop Hank
Ivy Soul Brother
From: land of a 1000 dances
Posts: 4923

Re: On 'Cool'


“No Room For Squares”
”All political art is bad – all good art is political.”
"Would there be any freedom of press or speech if one must reduce his vocabulary to vapid innocuous euphemisms?"

 

#77 2012-01-12 12:15:03

Oo Bop Sh'bam
Ivy Iconoclast
From: within.
Posts: 4067

Re: On 'Cool'

I think I have found a definitive definition of cool, the way the main character in Wages of Fear lights his matches, unfortunately this is all completely undermined by the wearing of his vest.

Last edited by Oo Bop Sh'bam (2012-01-12 12:15:56)


''If I can't share my faith in Christ here, I'd just as soon not have to put up with people advocating drug use.''

 

#78 2012-01-12 12:17:15

Oo Bop Sh'bam
Ivy Iconoclast
From: within.
Posts: 4067

Re: On 'Cool'


''If I can't share my faith in Christ here, I'd just as soon not have to put up with people advocating drug use.''

 

#79 2012-01-12 12:22:02

Hard Bop Hank
Ivy Soul Brother
From: land of a 1000 dances
Posts: 4923

Re: On 'Cool'

all quirks could be constructed as cool or as hip (two entirely different yet not unrelated words), for sure...

but getting back very straight at the topic:

http://www.youtube.com/watch?v=TaPIyo51cr4

just listen


“No Room For Squares”
”All political art is bad – all good art is political.”
"Would there be any freedom of press or speech if one must reduce his vocabulary to vapid innocuous euphemisms?"

 

#80 2012-01-12 12:31:21

Oo Bop Sh'bam
Ivy Iconoclast
From: within.
Posts: 4067

Re: On 'Cool'

If anyone said 'dig' in a non-ironic way, I think I'd have to slap them, even Soggy, I'm not afraid!


''If I can't share my faith in Christ here, I'd just as soon not have to put up with people advocating drug use.''

 

#81 2012-01-12 13:08:00

Oo Bop Sh'bam
Ivy Iconoclast
From: within.
Posts: 4067

Re: On 'Cool'

Anyway, I'm clearly cool as fuck. I spend all night on the internet. Anyone I'd deem as being un-cool would be watching celebritiy Big Brother. That's how things lay in 2012.

Last edited by Oo Bop Sh'bam (2012-01-12 13:08:33)


''If I can't share my faith in Christ here, I'd just as soon not have to put up with people advocating drug use.''

 

#82 2022-04-26 05:54:29

AFS
Member
Posts: 2740

Re: On 'Cool'

The resurrection shuffle...  much of what I've been reading and listening to of late comes firmly under the category of 'cool' in that Gibson Gardens/John Simons sense of living and being.  You can't be self-conscious about it, though - which is why a book calling itself 'The Hip' can never be anything of the kind.  It's too busy falling over itself trying to prove a point.  Featuring Mr. Chet on the cover just ain't sufficient...

 

#83 2022-04-26 07:00:41

Spendthrift
Member
Posts: 659

Re: On 'Cool'

Interesting reading there. GG and Chet pretty much had it summed up on the first couple of posts. I can't add to their knowledge really. Whatever happened to them? wink

Jim's line was good. ''I like 'Cool'. I like that idea of being one step back watching the show go on'' I'm 100% with that. Even though he liked the idea of it, I'm pretty sure he could mostly be pretty far from the passive observer.

In truth, if you have to go out and buy an instruction manual, or consciously research it in any way, it's a bit of a lost cause I think. People we consider 'cool' are/were often out doing their own thing. Miles was cool. You could look, dress, play and act just like him. But pastiche definitely doesn't cut it.

I imagine over the years many, many people have studied Miles (for example. Could be Elvis, Issac Hayes, Weller, McQueen?) and robbed what they could. That approach is always going to fail because if nothing else, he did it better, first. Also, even if only subconsciously, you're looking over your shoulder to make sure Miles would approve. Wrong track.

If you're main agenda is other people considering you cool, again, you're on the wrong track. Generally those icons didn't give a flying one what other people thought of them did they?

Back to the real topic there; 'Cool' in any jazz or old school sense is gone now I think. My seven year old kid and his mates swapping Pokemon cards; ''Ah you got that one. Cool man''

Last edited by Spendthrift (2022-04-26 07:02:32)

 

#84 2022-04-26 07:19:45

AFS
Member
Posts: 2740

Re: On 'Cool'

Gibson and Chet are still jivin'...  just about...

 

#85 2022-04-26 07:23:33

AFS
Member
Posts: 2740

Re: On 'Cool'

'Birth Of The Cool'.  When was that?  1949?  Does that nail it?  Probably not.

 

#86 2022-06-10 06:34:02

AFS
Member
Posts: 2740

Re: On 'Cool'

Debate...  Debateable...

 

#87 2022-06-10 07:06:55

AFS
Member
Posts: 2740

Re: On 'Cool'

Check out chetmiles...  now he really was 'cool'...  as the proverbial cucumber... 
A slip of, a broth of, a boy.  At the time.
Older (if not wiser) and sadder now.

 

#88 2022-06-10 07:32:10

woofboxer
Devil's Ivy Advocate
From: The Lost County of Middlesex
Posts: 7959

Re: On 'Cool'

The Cool - didn’t it all come together in S.California in the 50s, the West Coast jazz, the art, architecture and design?


'I'm not that keen on the Average Look .......ever'. 
John Simons

Achievements: banned from the Ivy Style FB Group

 

#89 2022-06-10 10:39:19

Tworussellstreet
Member
Posts: 599

Re: On 'Cool'

Yeah, a Case Study House in an Ivy wash and wear suit, sipping a cocktail, Chet on the groovy hi-fi. There's those pictures of Pierre Koenig looking, well.....cool.

 

#90 2022-06-15 00:31:19

AFS
Member
Posts: 2740

Re: On 'Cool'

This is overdone.  But it does demonstrate, if such a demonstration were needed, just how far ahead the Americans were: in comparison with we lard-arsed, whining, spotty, greasy, reactionary, Brown Windsor-soup slurping, sherry-trifle guzzling Brits.  One only has to watch an American film, even from the 1930s, to appreciate that. 
Try comparing Beryl Bryden with Miss O'Day.

 

#91 2022-06-15 02:49:18

AFS
Member
Posts: 2740

Re: On 'Cool'

Jazz: 'cool' as opposed to 'hot' (?).  Not really.  'Cool' as opposed to 'bop'?  Maybe.  Yet there was NYC cool and West Coast/California cool - all slightly difficult to recreate in a Europe (not just England) struggling with post-war difficulties.  Yet some attempted it.  And what did it amount to?  Even in the USA, ultimately, not much.  But a little Baker and Mulligan never goes amiss.

 

#92 2022-06-16 04:32:13

Hard Bop Hank
Ivy Soul Brother
From: land of a 1000 dances
Posts: 4923

Re: On 'Cool'

American cool was admired all over Europe. There are still jazz festivals in most European countries and most of them started just a couple of years after World War II. Even beyond the Iron Curtain Prague, Warsaw and Budapest have fantastic jazz musicians.


“No Room For Squares”
”All political art is bad – all good art is political.”
"Would there be any freedom of press or speech if one must reduce his vocabulary to vapid innocuous euphemisms?"

 

#93 2022-06-16 04:37:03

AFS
Member
Posts: 2740

Re: On 'Cool'

Admired, yes, certainly.  But emulated?  If the social and economic conditions aren't just right, well, where does that leave you? 
In England - in London - did much resonate beyond the walls of Ronnie Scott's? 
Going back a bit, even chaps like Condon and Wettling found England prehistoric in 1955 or thereabouts.  Many were still clinging to New Orleans. 
It was perhaps hipper in Germany, France and Sweden than in England.

 

#94 2022-06-16 04:38:30

Hard Bop Hank
Ivy Soul Brother
From: land of a 1000 dances
Posts: 4923

Re: On 'Cool'

Koenig looks great despite the Windsor knot on his black knit tie. The short haircut, the wash and wear suit, the button down shirt and these ripple sole shoes.

A friend of mine has a house built by Ray Kappe close to Berlin. Very stylish.


“No Room For Squares”
”All political art is bad – all good art is political.”
"Would there be any freedom of press or speech if one must reduce his vocabulary to vapid innocuous euphemisms?"

 

#95 2022-06-16 04:41:15

AFS
Member
Posts: 2740

Re: On 'Cool'

Just referring back to the original post.  We were having lunch on Saturday.  Yummy-mummy nearby, blonde hair and shades, asks the waitress, 'Can I have the receipt?'  'Sure', says the waitress.  'Cool'.  Not 'Thank you very much'.  Bears out what Johnny Simons was attempting to get across. 
Then there's 'hip': straining for effect, as in that rather crappy Dellar book.  As soon as something PRONOUNCES, it's no longer what it claims to be.  If it ever was.

 

#96 2022-06-16 04:51:21

Hard Bop Hank
Ivy Soul Brother
From: land of a 1000 dances
Posts: 4923

Re: On 'Cool'

I think “prehistoric??  only refers to some aspects.

America was pretty rich and the economic development was much faster there during the 20th Century.

Especially if it comes to jazz I have often read that many American musicians have found an audience in Europe while they were ignored back in the USA.

I did a bit of research on Alfred Lion and Francis Wolff last year, and I’ve even got hold of Wolff’s record collection via Jazz institute Darmstadt and it’s quite amazing: They had all the American original 78s already. It’s quite a miracle how they got hold of these records. They had also seen Sam Wooding and Josephine Baker in Berlin during the 1920s already. Sam Wooding and the Chocolate Kiddies was a proper Harlem Renaissance show. Hot Jazz, you wouldn’t like it, I suppose. You can find reviews from the Kopenhagen show online.

I reckon London was also one of these centers, especially because there wasn’t a language barrier.


“No Room For Squares”
”All political art is bad – all good art is political.”
"Would there be any freedom of press or speech if one must reduce his vocabulary to vapid innocuous euphemisms?"

 

#97 2022-06-16 04:54:49

Hard Bop Hank
Ivy Soul Brother
From: land of a 1000 dances
Posts: 4923

Re: On 'Cool'

Agree 100% about the ugliness of “cool??  as a substitute for yes, thanks etc. and about “hip??  losing its meaning by being defined.


“No Room For Squares”
”All political art is bad – all good art is political.”
"Would there be any freedom of press or speech if one must reduce his vocabulary to vapid innocuous euphemisms?"

 

#98 2022-06-16 04:59:08

AFS
Member
Posts: 2740

Re: On 'Cool'

With jazz, Hank, I, like my father, keep an open mind, so 'Hot' is all right with me. 
You've evidently been busy.  But, yes, I think there's irrefutable evidence that jazz found a much more appreciative audience in Europe very early on.  Hence, I suppose, the migration of black musicians and other performers to friendly cities like Paris. 
Even some Nazis seem to have been secret admirers.

 

#99 2022-06-16 07:17:17

AFS
Member
Posts: 2740

Re: On 'Cool'

It so happens that our local Oxfam bookshop has a fair number of 'Hot'/New Orleans/pre-bebop CDs on offer.  Trouble is, I have to be in the right frame of mind to tackle their female staff, who generally look as if someone has just offered their daughter heroin at the school gate/brimming with 'Woke' self-importance/are enduring the 'change'.  This a.m., however, in order to cheer myself up after extracting a large sum of money from the building society for roof repairs, I splashed out £1.99 on a Bechet/Oliver disc.

 

#100 2022-06-27 03:08:35

AFS
Member
Posts: 2740

Re: On 'Cool'

'Hip', of course, is first cousin to 'cool' (in fact, which came first?).  I'm just reading a very good book on jazz vocalists (many of whom are unknown to me), during the course of which the authors tell us how futile it is attempting to be 'hip'.  You either are or you ain't.  Refer to Blossom Dearie's famous song in which she takes the piss out of the post-bebop, Kerouac-reading crowd who would have transferred their loyalties from Bird to Seeger then Dylan, and from Kerouac to Kesey and Thompson.  In other words, the kind of fickle jerks who crowd into Glastonbury for their muddy weekend.

 

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