This is a very interesting topic. Symmetry and precision can be beautiful too, in fact the Greeks worshipped it. Look at the architecture of the Pantheon for example, there is definite mathematical proportion there, also studies into what humans classify as a beautiful face is based around proportion and a loose kind of symmetry (not exactly symmetrical I know) This is a subject that greatly interests me...I'd like to start a thread about it when I get the bloody time, nothing serious just a ramble about the subject so others could hopefully add their own observations, opinions etc.
Last edited by formby (2008-05-04 07:31:05)
I'm with you.
But it doesn't work in the real world.
The symetrical ideal is there, but we seldom reach it... and when we do it looks damn odd.
I propose we ditch the 'ideal'. We aren't Greek Gods. And just as well when you consider their home lives...
Roman mosaics contained deliberate imperfections. Asymetrical flaws. This was to show that only the Gods were perfect and that it wasn't man's place to try to be like them.
So let your dimple go to fuck, O ye forumites. You'll look better & more than that you'll BE better.
Amen.
J.
As a little bit of an appetiser consider the two landscape gardeners, the Englishman Lancelot "Capability" Brown and the Frenchman Andre Le Notre. Brown's style is a very naturalistic, flowing organic style. Compare this to Le Notre formal, unnatural and symmetrical style, both beautiful in their own way, each the antithesis of the other. Which do you prefer? Why?
Ramble on....gunna sing my song....ramble on....
'...Roman mosaics contained deliberate imperfections. Asymetrical flaws. This was to show that only the Gods were perfect and that it wasn't man's place to try to be like them...'
That's an interesting fact RS I didn't know that, I'll have a little read about it...
I didn't actually make it up either!
'...Nature perfected...'...hubris and all that
Near as I can tell there is an ongoing tension between the "natural" and the "ordered" approaches to all Western arts, though my exposure to this concept is confined primarily to English literature (viz. reaction of the Romantics to their neo-Classical predecessors).