what is a good comparison/contrast of these two styles?
Thanks
Kum - by - trad, my lord
Kum - by - trad
Kum - by ivy, my lord
Kum - by - ivy
we're all on the same side if we stick to the clothes, i know this by instinct - my blue blood tells me so
^ Sounds like "Classic Traditional American Style from every angle" to me.
You belong here!
Best -
would it be fair to say then that Trad is a fork off of the highway of Ivy...now on separate evolutionary paths, or that Trad is sort of a child of Trad and English styles, with genetic information from each? And each particular Trad person manifesting that mixture in different ways, as siblings differ though starting with the same ingredients.
Skink
Yes. They forked off back in 2004.
Nothing wrong with that.
so in that sense Trad advocates and Ivy advocates are truly sartorial brothers.
or would that be first cousins?
Last edited by Skink (2008-07-07 14:02:42)
And Ivy in turn is the son of English style...
Everything was new once.
For today the Trads & the NeoPrep guys are the new breed. Plus I guess the Hip Hop crowd if they're still playing with Madras and all that... And then there's probably all those funny things like GhettoPreppy which I found on the Net. the other day.
A big family tree.
Purely a discussion point: Do you think Trad's defining rules will change as it develops? Or is the point that they are rules and therefore should not be moved away from?
No point saying that the rules have no basis in Tradition etc. at this point either, btw - The debate has moved on now. The consensus now behind the scenes is that Trad is a new take and therefore having new rules is perfectly acceptable.
Trad certainly references Tradition, but the old idea that it was the Tradition itself has been quietly revised now without making any fuss - As is the Trad way of doing things.
... Which rather neatly leaves space for all the rest which is not covered by Trad to be covered here.
I was chatting to Intrepid behind the scenes earlier on this week and the conclusion I came to was that his recently stated position of wanting to return to clothes and not lifestyles was exactly mine too. And the clothes he was talking about were those yearbook pictures from the Ivy Boom years - Just the clothes that interest me most as well.
This is why I say that this forum will compliment the Trad forum & not be an alternative to it - Trad is something in its own right now, the rest is left to us.
Feel free to discuss, chaps!
Best -
Maybe...
Ivy: Urban Trad: Suburban
Ivy: hard, restrained, austere Trad: luxe, Anglophiliac, staid
Ivy: Slim Trad: baggy
Ivy: collegiate Trad: professorial
Ivy: madras shirts Trad: madras pants
Ivy: Weejuns Trad: Aldens
Ivy: jazz club Trad: country club
Ivy: Sero Trad: Mercer
Ivy: "Sharp!" Trad: "Outstanding!"
Ivy: Take Ivy Trad: OPH
Ivy: Playboys Trad: critters
Ivy: Sweet Smell of Success Trad: Metropolitan
Ivy: Let's get lost Trad: Go to Hell
This is my first most on any message board related to clothes. I have lurked for a few months on both this board and the Curriculum board, having been introduced to both via AAAT (lurking there as well). A quick personal note, my clothing style is based in Ivy, with some southern (rural Florida) influences as well. I didn't realize "Ivy" referred to any thing but colleges and plant life until exploring a comment made in Miles Davis' autobiography about Brooks Brothers suits. My father is from rural Florida, and my mom is from Maine, so a mixed marriage of sorts. My conception of clothes from childhood on was probably shaped by southern practicality and yankee thrift long before I understood the terms. I wore plain front pants because my father did. I have no clue why he preferred them. My father would balk at any conversation of clothes that didn't focus on practical hunting or fishing attire. I came to prefer things like madras shirts, seersucker, Oxford shirts, LL Bean sweaters and cords, based on having them bought for me from a young age by my mother. I later discovered a deeper style (the one one Miles was referring to) as I became more obsessed with jazz and more interested in the cinema. I started become very interested in a 1950's ascetic in regards to clothing, furniture etc. Sorry for the lengthy personal note but I wanted to provide context for my opinion on the thread topic. After viewing hundreds of threads on the message boards, I can't help but reach the conclusion that Trad as it's became to be known is not something I would want to associate with. Certain posters contradictions aside, there is an aspirational current that can't be divorced from Trad. With most posters on The Curriculum, I think this holds true whether they are aware of it or not. I don't mean to stereotype but I picture their magazine rack filled with Cigar and Wine magazines. I'm not knocking their personal interests, but I'm not interested in them either. I think the clothes are very much tied to their conception of an idea rather than a personal sense of style(I realized there are exceptions to this). I find it instructive that the two most interesting (and best) dressers and people on the Trad forums also post here. Brownshoe and Patrick. I am interested in clothes for the sake of clothes. They do fit in my personal conception of my self but only insofar as whatever misguided notions I have of what's "cool" or ascetically pleasing. I'll kill this now, I would be pretty upset if I had just read something of this length on a message board. I just thought I might offer an "outsider's" perspective on the topic. I do enjoy this message board, and honestly some posts on AAAT and the curriculum. I will post here again if I have not all ready worn out my welcome.
Robert
I might be jack hammering this into this thread a bit but...
The English style is definitely intertwined with the Ivy style.
I think the Ivy or natural shouldered style, whether Trad or Preppy is perhaps more universal than the English style because it is:
1. Slightly less of a uniform
2. Covers all bases, including casual while English style has incredible details for the city, the nautical and horsey set but is lost for many casual functions.
3. The natural shouldered look has some snob appeal but it is more willing to borrow and adopt which makes it more English. The English tend to reject unless they cannot resist. As a matter of fact, the natural shouldered versatility and willingness to adapt while stil remaining recognizable as a genre is part of its strength.
4. Natural shouldered clothes are all about comfort through personal style while the English stuff has more structured propriety which sometimes causes comfort to suffer.
5. Natural shouldered clothes can absorb other culture's accessories and fabrics but not always the reverse. Americans can wear the English shirts with a sack suit but they cant wear a button down with a Savile Row jobby.
6. The natural shouldered suit down plays secondary sexual characteristics which creates both more personality and more of a casual approach to power, which is ironically more slouchy and English.
7. The mutability of the sack style jacket allows it to be cool or stuffy, appeal to young, old, foreign or domestic. I know Anderson and Sheppard bill that their jackets are anonymous and enhance the wearer's style and personality, the sack suit actually does this better. The silhouette looks good with just about any fabric and works for suits or with jeans.
8. The color spectrum allowed in Ivy clothes is literally almost unlimited.
9. Americans and the rest of the world still recognize the Ivy look as a rich cultural look and the English think it's both liberating and refreshing.
10. The clothes are rooted in the best universities so come from a good sporting, intellectual and partying background.
Welcome to the forum FNB & Robert!
I really like where you're both coming from - Post often!
Nice stuff Brownshoe - You send far better Ivygrams than I do!
Ol' Uncle Russ.
I like to think of it as "Classic Uniform Now Trad" or C.U.N.T. I'm gonna trademark that. Would look nice on a polo shirt.
^
^That could become derigeur on Andytrad What you're wearing!!
Last edited by Chris_H (2009-03-05 06:54:47)
Steve McQueen Vs. Niles Crane ?
Great post Scarlet Street - couldn't agree more.
Last edited by Decline & Fall (2009-03-05 08:32:21)
Ahhhh 'Trad' - It actually comes from England you know... This small street in Covent Garden... And I should know!
I shall just state the obvious but sometimes forgotten point that these questions can't be addressed from any archimedean point; perspective matters a lot.
It seems to me that the American natural shouldered style looks somewhat different depending on which side of the atlantic you're coming from. I bring an American point of view but have also tried to adopt a British perspective, and this has been quite illuminating.
From a British perspective, as I see it, the asymmetries with British style are accentuated, and rightly so. The American natural shouldered look breaks with many very old and widely held assumptions in Britain about how tailored clothes should be made and what constitutes proper dress for various occasions. The differences in both the clothes themselves and outlook between, say, J. Simons and Savile Row, are huge. Clearly to wear a Brooks sack suit in London is to flout the rules to some extent, always. No Englishman is born into Ivy clothes; to wear them is a choice, a choice that probably corresponds to a desire in some form to express individuality and break the rules a bit. Certainly there would be nothing conservative or traditional in Britain about wearing the American look; "trad," in weaving in conservatism and tradition into its perspective on a certain construal of TNSIL style is very much opposed to the British Ivy outlook. Simply put, if Englishmen wanted to do "trad" they wouldn't do so with American clothes.
From an American perspective, Ivy is many of the things it is to Englishmen wearing Ivy, but there also differences. I note just a few points:
1. East coast Americans, especially prewar, were very Anglophilic, and so Ivy was seen (even if this is factually incorrect) as quite continuous with the best of British style in many respects. There was always a spectrum to this, but it's clear that Brooks--who introduced so many items that became Ivy staples--did so in fact while purporting to bring to America items that were popular in Britain. Take a look also at the Press ads from the period and they all play up the fact that its goods are IMPORTED (before this term got its pejorative connotation), meaning from Britain. I don't think America yet held enough sartorial confidence to stress how different many of the clothes actually were (and the different manner in which they were worn) vis-a-vis Britain. This changes postwar to some extent but never completely fades.
2. In America, people can be naturally born into the style, as Boyer says of Buckley. (Less the case now, though, than a generation ago.) This has meant that Ivy clothes can stand for establishmentarian values (although they don't have to), whereas in Britain to wear Ivy is always to some extent to subvert them, at least subtly. In the 1970 movie "Love Story" the male character is decked out in various 60s Ivy items and these are all taken to communicate the fact that he is a Boston Brahmin.
My basic conclusion in this analysis is that Ivy style has overlaps and commonalities across the world but that its meaning is socially constructed depending on location. If I wear a sack blazer with button down oxford shirt and loafers in Britain I am breaking numerous rules and flouting various social conventions. In America, say, at an ivy league alumni function at one of the clubs in the city, this is extremely common. The points of difference between Ivy and earlier forms of American dress are too distant to be remembered, and so in post-1968 culture *part* but not all of the youthful/collegiate side of Ivy is lost.
A worthwhile project, I argue: to recapture the youthful/collegiate attitude of Ivy while bypassing the various (to expand boyer's term) postmodern preppy-isms, either in j. crew or Reddington/WASP101/etc. forms.
My 2 cents.
Last edited by BulldogNH (2009-03-05 21:10:59)
And a very good 2 cents too. Thank you for sharing your thoughts.
I'd agree with all of the above.
As I've said already today when musing on Chensvold I just find that the aspirational schtick of 'Trad' leaves me cold. I guess doubly so because as one who manipulated 'Trad' into being I know how fake it all is. We used the aspirational aspect to sell the concept in this land of the iGents. Gomez to ridicule the aspirants and me to start a debate.
Aspiration is far more American than English I think. Or maybe I'm just talking about the world I know. It's a very laudable thing to want to 'better' yourself though and so if I'm being fair I have to applaud the desire to do that which the Trads & Chensvold so clearly demonstrate. What looks odd to me makes perfect sense to them.
I just love The Look. All the rest is no part of my world. I'll probably carry on finding all these people irresistibly funny and will doubtless feel the need to mention that fact from time to time, but I am aware that it's more than a little unjust of me.
Let people buy into a fantasy on the internet and let bloggers blog about subjects which they know & care little about. They have their reasons for being aspirational and I should respect that.
I hope the Trads can link themselves to the world that fascinates them through participating in an Internet scam and I hope that by writing anything on any subject that catches his eye Chensvold can make it as a writer.
May all their dreams come true.
I shall stick to reality and enjoy the company of those like myself I think. People who just love the clobber. The real fans. Those with nothing to prove.
Peace, Tweed, Good Times -
Jim